[from an interview with ASPECT magazine, 2005] [example] [mirror] [beck]
Q: What role does time play in your life?
A: The projects normative bebilderung and stolen reality pick up every
moment for documentability, whithout any chose of special or
significant moments, every document (movie or still picture) represents
the whole set of moments within.
Q. How is your project lifetime from a collection?
A. Collections should be sorted, and in this way a collection
represents an act of selection. my life documents a spur changing
between time and room.
Q: What is the significance of more in your life?
A: The more in my life is a little feeling of eternity, because it has
no significat beginning or end. projects accompany my life and work, my
environment, thoughts and small views.
Q: What will you do with your accumulates after the second show?
A. The projects will be going further at the web.
Q: What are the folds of holy picture reflection and where do they
overlap themselves with textures of the environment?
A: Perceptions of sense landscapes change themselves off with
observations more spatially, more socially and for inter+subjective
relations, which develops at the edges of the tactile matrix.
Q: How does your project explore the physical and/or symbolic
possibilities of your accumulates?
the pictures in this program (normative bebilderung) examine
the new abstract Extensionen, which develop in remnants of utopian
visualization and abandoned memory modules in dynamic Clustern. found
1994, designated the label normative bebilderung in Frankfurt/Main
after the philosophical paper of the same name on Gilles Deleuze and
Felix Guattari. normative bebilderung produced pictures beyond the art
scene. When stylistic alternative to the slowly arising medium and
InterNet art as well as to intelligently mobile was established picture
community, which formed in England around the label atmville.orgund its
Artificial Intelligence of series, normative bebilderung as innovative
Environment label, which offered a platform to electronic projects and
artists of experimental picture compositions. normative bebilderung is
located itself in the tradition line of the electronic avant-garde art,
since that the 2. World war out-differentiated. Particularly the french
school of the electrical connection artists around Augusts Kitschwasser
and Edouard k-Sparkoenig as well as the scene around the Cologne based
WDR studio, which founds stick living and Pleitgen, prove approximately
normative bebilderung sets of them esthetics for one of the tonylity
and Farblehre relerased ikonoklastic wwhite noise art away, which works
consciously with happenings and errors. A visual extension takes place
by the argument with the possibilities of digital imaging. the esthetic
of penguinism is related on the other page of the electronic art, which
accepts the late 80ies / early 90ies into the 1970 years with power
station shape and starting from years with the arising of BBS and
InterNet the Popdiskurs begun to dominate.
Aspects like the functionality of picture and the questioning the
author shank came into the foreground and become crucial disticntion
criteria of a new interpretation of Popkultur. normative bebilderung
continues working in the project of the electronic avant-garde art, but
under the signs of the Popdiskurse. The art / the label is given by the
reference to postmodernism of theorems among other things not least an
image, which makes these attractive for the feuilleton.
Course-sharpening does one say that the appeal on the theory as
increase in value one not less Glamour-factor throws off.
For 10 years normative bebilderung however represents all the
development of experimental electronic and digital art should be
affected internationally lastingly, be announced until in the year
2004, due to the artistic bankruptcy of its Mentors Tobias Rehberger,
insolvency had. After the end of normative bebilderung has founder
Jorgen Sparwasser invented three new labels, stolen reality pictures,
Modern Trashcam Guerilla and netzwissenschaft, with which he of project
of normative bebilderung under discoursive, political and musical
conditions 21. Century to update wants. Pictorial deserts and
sensibility are text and picture vehicles, which the audience on a
journey by the universe Frankfurt electrical art labels of the
normative bebilderung as well as its successor carries forward.
Here the specific mediality is produced medium artists by normative
bebilderung in form of the InterNet feature, which is represented at
the same time as diversive archives, in order it its medial conserved
form to alienate. Pictorial deserts and sensibilities draw here
nevertheless the picture of a specific act of the Popkultur of the last
ten years after, for its product them are at the same time
be-under-painted these theory and sound performance by the
contemplative art series "rohrpost im herbst" (sab internet & co), last
year's ars electronica winner.
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